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Julius Schnorr von Carolsfeld The View of the Archpriest in oil painting


The View of the Archpriest in
Painting ID::  62456 		Artist: Julius Schnorr von Carolsfeld
Painting: The View of the Archpriest in
Introduction: 230 x 305 mm Albertinum, Dresden Schnorr was considered the best draughtsman of the Brotherhood of St. Luke. Like no other artist, he knew how to exploit the potential of the sepia technique. He drew in pen over pencil before applying wash with a brush. His works are characterized by dark and illuminated sections, dynamic sketching within the contours of objects and gently curving contours of line, as in this picture. Author: SCHNORR VON CAROLSFELD, Julius Title: The View of the Archpriest in Olevano Form: graphics , 1801-1850 , German , landscape
   
   
     

 

 

 
 

 

 

 
Julius Schnorr von Carolsfeld Madonna and Child oil painting


Madonna and Child
Painting ID::  62558 		Artist: Julius Schnorr von Carolsfeld
Painting: Madonna and Child
Introduction: 74 x 62 cm Wallraf-Richartz Museum, Cologne The experience of Italy was not only decisive for the majority of German landscape artists of the nineteenth century but also for figurative painting, secular as well as sacred. In 1818 Julius Schnorr von Carolsfeld moved to Rome from his home town of Leipzig. There he joined the Lukas-Bund (Guild of St Luke), an artists' group originally set up by Friedrich Overbeck and Franz Pforr in Vienna in opposition to the academy there. After Overbeck and Pforr had moved to Rome the Lukas-Bund exercised great influence (though Pforr died in 1812), and not only on the German artists in Rome. The members of the group, called the 'Nazarenes' after their long hair like Christ's, wanted to return to what they saw as the simple truth and piety of Derer and the early Italian Renaissance. They tried in their work to employ the forms, style and colour of the Old Masters. The composition and clear luminous colour of the Madonna and Child illustrates Schnorr's intensive, creative relationship with the Italian Renaissance. Artist: SCHNORR VON CAROLSFELD, Julius Title: Madonna and Child , painting Date: 1801-1850 German : religious
   
   
     

 

 

 
 

 

 

 
Julius Schnorr von Carolsfeld Die Hochzeit zu Kana oil painting


Die Hochzeit zu Kana
Painting ID::  70542 		Artist: Julius Schnorr von Carolsfeld
Painting: Die Hochzeit zu Kana
Introduction: Medium Oil on canvas Dimensions Deutsch: 138,5 ?? 208 cm
   
   
     

 

 

 
 

 

 

 
Julius Schnorr von Carolsfeld Clara Bianca von Quandt oil painting


Clara Bianca von Quandt
Painting ID::  80290 		Artist: Julius Schnorr von Carolsfeld
Painting: Clara Bianca von Quandt
Introduction: 1820(1820) Medium Oil on panel cyf
   
   
     

 

 

 
 

 

 

 
Julius Schnorr von Carolsfeld Ruth in Boazs Field oil painting


Ruth in Boazs Field
Painting ID::  87040 		Artist: Julius Schnorr von Carolsfeld
Painting: Ruth in Boazs Field
Introduction: 1828(1828) Medium Oil on canvas Dimensions 59 x 70 cm (23.2 x 27.6 in) cyf
   
   
     

 

 

 
 

 

 

 
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     Check All Julius Schnorr von Carolsfeld's Paintings Here!
     1794-1872 Painter and draughtsman, brother of Ludwig Ferdinand Schnorr von Carolsfeld. He was taught engraving by his father and then trained under Heinrich Feger at the Akademie in Vienna (1811-15). Though not particularly excited by the curriculum, he was inspired by his friendship with Ferdinand Olivier and Joseph Anton Koch and the circle around A. W. Schlegel to an interest in both landscape sketching and in old German and Netherlandish art, as reflected in the style of the detailed pen drawing of the Prodigal Son (1816; Dresden, Kupferstichkab.). From 1815 to 1818 he lived in the house of Ferdinand Olivier, whose step-daughter, Marie Heller, he later married. A painting of 1817, St Roch Distributing Alms . Related Artists to Julius Schnorr von Carolsfeld : | Jan provoost | Bartolome Esteban Murillo | Thomas Fogarty | Maria Sibylla Merian | Pieter Saenredam |

 

 

 
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